I make layered abstract works in paint, collage, and printmaking that move between the organic and the otherworldly. Recurring forms drawn from fungi and the oceanic world emerge intuitively across the surface — not as illustration, but as something felt and absorbed over time. Light, negative space, and dense mark-making build compositions that suggest systems operating just beneath the visible.

I am always observing before I am ever in the studio. Textures, decay, the way light moves through water — I carry these things until they find their way onto the surface. My process is physical and instinct-led — fast and manic at times, then forced into stillness while layers dry and reveal themselves. Screen printing, collage, and paint accumulate until the work begins to direct me rather than the other way around.

Beneath all of it runs something harder to name. Life accumulates — grief, love, loss, injustice — and these find their moment in the work whether I plan for them or not. I make art because I need a voice that words cannot carry. This is mine.